Update — Autumn 2022
I. EE Edition of Correspondence
This autumn, EE has extended its collection of letters and documents relating to Pierre Caron de Beaumarchais by adding 417 items from volume 2 of Beaumarchais and the Courier De L’Europe, edited by Gunnar von Proschwitz and published in 1990 as part of the Studies in Voltaire and the Eighteenth-Century series. This extends our publication of these letters and brings the total to 674. The new items here will be of particular interest to scholars interested in Beaumarchais’ personal correspondence and accounts relating to the publication of his ‘Kehl’ Edition of the complete works of Voltaire (1783–90). Also covered are his relationship with the press, specifically the Courier De l’Europe as well as its editors Charles Theveneau de Morande and Samuel Swinton. The letters here also shed light on French newspapers operating in England in the 1780s and 90s, as well as documenting Beaumarchais’ behind-the-scenes relationships with theatre managers, publishers and distributors handling The Marriage of Figaro (1784). Highlights of the collection include Beaumarchais ‘Réflexions sur les secours à donner à l’Amérique’, written in 1781, outlining his proposal for French economic and military support for the American effort in the American War of Independence. There is also a long 1785 letter from Beaumarchais to the Baron de Breteuil, which reads as a both a theatrical manifesto and defence against charges of salaciousness and indecency which had been levelled at Figaro. From the Courier de L’Europe we have 40 excerpted pieces, including Beaumarchais’ outline of Figaro, and an early reaction to it by fellow playwright Antoine Bret, as well as a fascinating pseudonymous letter purporting to be from Morande, alongside a public retraction by the real editor. This letter chastises Beaumarchais for his criticism of a man named Guillaume Kornmann (1741–1795) and claims responsibility on Morande’s part for slander against him. It was, in fact, written by a supporter of Kornmann, whose wife Beaumarchais had defended against charges of adultery, prompting him to attempt to start a paper war.
II. New Article
Beaumarchais and Electronic Enlightenment
Gregory Brown explores the significance of Beaumarchais, his correspondence, and the recently completed publication in EE of the Proschwitz edition of Beaumarchais letters. read more…
III. New Letters
- Pierre Caron de Beaumarchais (329 new items) — The majority of the letters contained in this update are either to or from Beaumarchais, or refer to him or his works.
- Charles Theveneau de Morande, chevalier de Morande (69 new items) — As editor of the Courier de l’Europe from 1784 to 1791, de Morande’s conflicted relationship with Beaumarchais through the course of the latter’s work with the journal is well represented in this update.
- The Courier de l’Europe (61 new items) — Alongside articles originally published in the Courier, and the aforementioned letters between Beaumarchais and Morande, this update also includes 21 letters between Beaumarchais and Samuel Swinton (1726–1796), the founder and first director of the newspaper.
IV. New Biographies
This update has included 57 new biographical notes, including actors, publishers, revolutionaries, merchants and politicians, some of the most notable biographies added are:
- Eliza Theveneau de Morande (born c. 1750–died 1807), English socialite — Daughter of Jane Rowe and London lawyer Charles Sinclair. Married (1771) Charles Théveneau de Morande (1741–1805), with issue: George Louis Theveneau (b.1772), Elizabeth-Nicolette (b.1779) and Harriet Hannah (b.1780) and four who died in early infancy. Eliza was a friend of the Chevalier d’Eon and Beaumarchais in the 1770s and 80s. Throughout her abusive marriage with de Morande, Eliza made efforts to secure political alliances which she could call on to provide relief for her husband through his many scandals and political intrigues.
- Achille Joseph Gojard (born 1740), French financier, civil servant — Born in Lille. Married (before 1787) Marie-Françoise-Lucie Gardel (1755–1828). Served as financial advisor to the Comte d’Artois (1757–1836) until 1781. Served as premier commis de finance (1781–1788) and receveur général de Paris (1786) before returning to the employ of the Comte d’Artois as superintendent of finances (1788). Unemployed in September 1793, he was imprisoned in the Pension Belhomme following an accusation of financial mismanagement by Louis Heron (1746–1796) before being released without charge in July 1794.
- Alexandre Balthazar Laurent Grimod de la Reynière (born 1758–died 1837), French lawyer, writer, aristocrat — Son of Laurent Jean Gaspard Grimod de la Reynière (1733–1793) and Suzanne Françoise Elisabeth de Jarente de Senart (1736–1815). Educated at Plessis (1769), Reims (1773) and Louis-le-Grand (1775). Married (1812), Adélaïde-Thérèse Feuchère (1764–1845), with issue; Adélaïde-Jeanne-Justine-Laure (1790–1793). Wrote for the Journal des théâtres (1777–78) and the Journal helvétique de Neuchâtel (1780–82). Grimod served as a lawer at the Paris Parliament (1780–1787) until his license was revoked following the 1786 publication of the satrical pamphlet Mémoire à consulter. Grimod was incarcerated (1786–1788) at the abbey of Domèvre-sur-Vezouse in Lorraine at the request of his family. After the Terror, Grimod founded and edited the Censeur Dramatique (1794–1798), a theatrical review that was ultimately suspended by the Directory in 1798. In 1803 he published the Almanach des Gourmands, a much celebrated guide on eating according to the season, and an itinerary of Parisian restaurants. The book sold over 20,000 copies by 1812, and was reprinted multiple times. Grimod followed this by founding and convening the jury dégustateur, a social club dedicated to good food, between 1803 and 1813, and publishing the Manuel des Amphitryons (1808), a guide to good table manners. He retreated from Paris to his country estate at the Château de Villiers-sur-Orge in 1812, concerned that his anti-Napoleonic sentiments might make him a target.
- Gabriel Axel Lindblom (born 1757–died 1827), Swedish teacher — Third son of Axel Johan Lindbloms (1713–1797) and Regina Margareta Pallavicino (1713–1793). Educated at Uppsala University (1767–1774). Married (1793) Maria Rebecka Lindblom (1771–1833), with issue: Anna Regina Teol, née Lindblom, (1794–1879). Tutor to Edmond Charles Genet (1774–1787); Royal Secretary to the Court of Gustavus III (1787–1793); Secretary to the Swedish Academy of Letters (1787–1793); Private Secretary (1795–) to Gustavus IV Adolf (1778–1837).
- Nicolas-Joseph Billot de La Ferrière [“Florence”] (born 1749–died 1816), French actor — Performer with the Théâtre de la Monnaie in Brussels (1771–1776) and in Versailles (1777) before joining the Comédie Française (1778–1804). When Florence injured his leg at some point after 1784 he transitioned from acting to more administrative duties with the Organisation. He was briefly imprisoned in 1793 by the Committee of Public Safety, along with other actors associated with the allegedly seditious theatrical adaptation of Samuel Richardson’s Pamela. Apparently a prickly character, Florence’s career was characterised by disputes. In 1781 he fought a duel with his troupe-mate Jean Mauduit, and in 1784 he argued with Olympe des Gouges whilst leading the troupe debuting her Zamore et Mirza.
- Marguerite Brunet [“Mademoiselle Montansier”] (born 1730–died 1820), French actress, theatre director, socialite — Married (1799) Honoré Bourdon (1736–1803); without issue. Began work as an actress after leaving the Ursuline Convent at Bordeaux (1744) Then managing a dress shop in Saint-Domingue and a gambling house in Paris before opening a theatre on the Rue Satory in Versailles, gaining the patronage of Marie Antoinette. Brunet received the right to perform at the Palais Royale in 1775 and founded the Theatre Montansier (1777) before securing performance rights in Fontainebleau, Saint-Cloud, Marly, Compiègne, Rouen, Caen, Orléans, Nantes and Le Havre (1777–1779). She also became manager of the Theatre des Beaujolais, which would be renamed Variétés (1790–1807). During the Revolution, Brunet moved her troupe temporarily to Brussels, installing them as the Comédiens de la République française at the Théâtre de la Monnaie in Brussels, before being imprisoned by the Committee of Public Safety (November 1793 – September 1794). She also established the Opera Buffa troupe (1801–1802).
- Nicolaï Iousoupov (born c. 1750–died 1831), Russian senator, collector — Eldest Son of Boris Grigoryevich Yusupov (1695–1759) and Irina Mikhaïlovna Zinovieva (1718–1788). Married Tatiana Vasilievna von Engelhardt (1769–1841), with issue: Boris Nikolaievich Yusupov (1794–1849). Ambassador to Turin (1783–1789), Senator (1788–), head of Imperial Theatres (1791–1796), Actual Civil Councillor (1796–), Director of the Hermitage (1797), Minister of Department of Lands (1800–1816) and State. Councillor (1823–). A prolific collector and patron of the arts, Yusupov owned a collection of over 600 paintings and objets d’art, and established a private porcelain factory at his Moscow estate.